Other
A collection of smaller projects and experiments across different formats and industries.
Alterna
Alterna is a custom typeface created for an exhibition exploring a speculative alternative history in which the United States attacks the Soviet Union after World War II, following General Patton’s proposed plans, leading to a capitalist transformation of the Eastern Bloc. The exhibition presented this fictional reality through propaganda posters, architectural models, underground leaflets, and speculative artefacts, requiring a typographic voice that felt historically grounded yet ideologically distorted. The typeface is rooted in Roman letterforms, but heavily influenced by Cyrillic structures, Russian constructivism, and brutalist aesthetics, resulting in a hybrid alphabet that feels both familiar and unsettling. Designed as a display typeface, Alterna exists only in uppercase characters and was released in regular and bold weights to preserve clarity and conceptual focus. Typography functioned not just as a graphic element, but as a narrative device, reinforcing the exhibition’s world-building and political tension.
Escape From Reality
Escape From Reality is a bilingual publication documenting the early years of a significant graffiti writer, conceived as an introduction to a forthcoming book covering his work across Europe and beyond. Written in both Polish and English, each spread presents parallel texts in both languages, making translation an integral part of the editorial structure. Rather than following the typical album-style format common to graffiti books, the publication adopts a more magazine-like approach, using dynamic layouts and strong typographic hierarchy to create narrative flow. Each spread captures a specific story from that period, balancing archival photographs with contextual storytelling. Gallery-style layouts appear only occasionally, used as exceptions rather than the norm. A distinctive typeface with subtly stretched letterforms was used to evoke movement and weight, referencing both the dynamism of graffiti and the physical presence of trains. The result is a publication that frames graffiti as lived experience rather than pure documentation.
Packaging
A selection of packaging projects across different product types. The work focuses on clear structure, practical layouts, and visuals that translate well from flat design to finished, physical packaging. Projects include technical, industrial, and consumer products, with attention to usability, print execution, and production constraints. The goal is to create packaging that works in the real world and supports the brand clearly and effectively.
Print work across a wide range of formats, from books and brochures to large-scale hoardings and small printed materials. Projects include publications, annual reviews, flyers, business cards, and complex print layouts, with full DTP ownership. Comfortable working with print production details such as die-cuts, finishes, formats, and file preparation, making sure ideas translate cleanly from screen to press.
Logos
A broad selection of logo work across different industries and product types. Comfortable adapting style and level of expression to the context — from bold, character-led marks to quieter, functional identities. The focus is always on fit: aligning the logo with the product, brand, or service it represents, regardless of industry
Other
A collection of smaller projects and experiments across different formats and industries.
Alterna
Alterna is a custom typeface created for an exhibition exploring a speculative alternative history in which the United States attacks the Soviet Union after World War II, following General Patton’s proposed plans, leading to a capitalist transformation of the Eastern Bloc. The exhibition presented this fictional reality through propaganda posters, architectural models, underground leaflets, and speculative artefacts, requiring a typographic voice that felt historically grounded yet ideologically distorted. The typeface is rooted in Roman letterforms, but heavily influenced by Cyrillic structures, Russian constructivism, and brutalist aesthetics, resulting in a hybrid alphabet that feels both familiar and unsettling. Designed as a display typeface, Alterna exists only in uppercase characters and was released in regular and bold weights to preserve clarity and conceptual focus. Typography functioned not just as a graphic element, but as a narrative device, reinforcing the exhibition’s world-building and political tension.
Escape From Reality
Escape From Reality is a bilingual publication documenting the early years of a significant graffiti writer, conceived as an introduction to a forthcoming book covering his work across Europe and beyond. Written in both Polish and English, each spread presents parallel texts in both languages, making translation an integral part of the editorial structure. Rather than following the typical album-style format common to graffiti books, the publication adopts a more magazine-like approach, using dynamic layouts and strong typographic hierarchy to create narrative flow. Each spread captures a specific story from that period, balancing archival photographs with contextual storytelling. Gallery-style layouts appear only occasionally, used as exceptions rather than the norm. A distinctive typeface with subtly stretched letterforms was used to evoke movement and weight, referencing both the dynamism of graffiti and the physical presence of trains. The result is a publication that frames graffiti as lived experience rather than pure documentation.
Packaging
A selection of packaging projects across different product types. The work focuses on clear structure, practical layouts, and visuals that translate well from flat design to finished, physical packaging. Projects include technical, industrial, and consumer products, with attention to usability, print execution, and production constraints. The goal is to create packaging that works in the real world and supports the brand clearly and effectively.
Print work across a wide range of formats, from books and brochures to large-scale hoardings and small printed materials. Projects include publications, annual reviews, flyers, business cards, and complex print layouts, with full DTP ownership. Comfortable working with print production details such as die-cuts, finishes, formats, and file preparation, making sure ideas translate cleanly from screen to press.
Logos
A broad selection of logo work across different industries and product types. Comfortable adapting style and level of expression to the context — from bold, character-led marks to quieter, functional identities. The focus is always on fit: aligning the logo with the product, brand, or service it represents, regardless of industry
Other
A collection of smaller projects and experiments across different formats and industries.
Alterna
Alterna is a custom typeface created for an exhibition exploring a speculative alternative history in which the United States attacks the Soviet Union after World War II, following General Patton’s proposed plans, leading to a capitalist transformation of the Eastern Bloc. The exhibition presented this fictional reality through propaganda posters, architectural models, underground leaflets, and speculative artefacts, requiring a typographic voice that felt historically grounded yet ideologically distorted. The typeface is rooted in Roman letterforms, but heavily influenced by Cyrillic structures, Russian constructivism, and brutalist aesthetics, resulting in a hybrid alphabet that feels both familiar and unsettling. Designed as a display typeface, Alterna exists only in uppercase characters and was released in regular and bold weights to preserve clarity and conceptual focus. Typography functioned not just as a graphic element, but as a narrative device, reinforcing the exhibition’s world-building and political tension.
Escape From Reality
Escape From Reality is a bilingual publication documenting the early years of a significant graffiti writer, conceived as an introduction to a forthcoming book covering his work across Europe and beyond. Written in both Polish and English, each spread presents parallel texts in both languages, making translation an integral part of the editorial structure. Rather than following the typical album-style format common to graffiti books, the publication adopts a more magazine-like approach, using dynamic layouts and strong typographic hierarchy to create narrative flow. Each spread captures a specific story from that period, balancing archival photographs with contextual storytelling. Gallery-style layouts appear only occasionally, used as exceptions rather than the norm. A distinctive typeface with subtly stretched letterforms was used to evoke movement and weight, referencing both the dynamism of graffiti and the physical presence of trains. The result is a publication that frames graffiti as lived experience rather than pure documentation.
Packaging
A selection of packaging projects across different product types. The work focuses on clear structure, practical layouts, and visuals that translate well from flat design to finished, physical packaging. Projects include technical, industrial, and consumer products, with attention to usability, print execution, and production constraints. The goal is to create packaging that works in the real world and supports the brand clearly and effectively.
Print work across a wide range of formats, from books and brochures to large-scale hoardings and small printed materials. Projects include publications, annual reviews, flyers, business cards, and complex print layouts, with full DTP ownership. Comfortable working with print production details such as die-cuts, finishes, formats, and file preparation, making sure ideas translate cleanly from screen to press.
Logos
A broad selection of logo work across different industries and product types. Comfortable adapting style and level of expression to the context — from bold, character-led marks to quieter, functional identities. The focus is always on fit: aligning the logo with the product, brand, or service it represents, regardless of industry
Other
A collection of smaller projects and experiments across different formats and industries.
Alterna
Alterna is a custom typeface created for an exhibition exploring a speculative alternative history in which the United States attacks the Soviet Union after World War II, following General Patton’s proposed plans, leading to a capitalist transformation of the Eastern Bloc. The exhibition presented this fictional reality through propaganda posters, architectural models, underground leaflets, and speculative artefacts, requiring a typographic voice that felt historically grounded yet ideologically distorted. The typeface is rooted in Roman letterforms, but heavily influenced by Cyrillic structures, Russian constructivism, and brutalist aesthetics, resulting in a hybrid alphabet that feels both familiar and unsettling. Designed as a display typeface, Alterna exists only in uppercase characters and was released in regular and bold weights to preserve clarity and conceptual focus. Typography functioned not just as a graphic element, but as a narrative device, reinforcing the exhibition’s world-building and political tension.
Escape From Reality
Escape From Reality is a bilingual publication documenting the early years of a significant graffiti writer, conceived as an introduction to a forthcoming book covering his work across Europe and beyond. Written in both Polish and English, each spread presents parallel texts in both languages, making translation an integral part of the editorial structure. Rather than following the typical album-style format common to graffiti books, the publication adopts a more magazine-like approach, using dynamic layouts and strong typographic hierarchy to create narrative flow. Each spread captures a specific story from that period, balancing archival photographs with contextual storytelling. Gallery-style layouts appear only occasionally, used as exceptions rather than the norm. A distinctive typeface with subtly stretched letterforms was used to evoke movement and weight, referencing both the dynamism of graffiti and the physical presence of trains. The result is a publication that frames graffiti as lived experience rather than pure documentation.
Packaging
A selection of packaging projects across different product types. The work focuses on clear structure, practical layouts, and visuals that translate well from flat design to finished, physical packaging. Projects include technical, industrial, and consumer products, with attention to usability, print execution, and production constraints. The goal is to create packaging that works in the real world and supports the brand clearly and effectively.
Print work across a wide range of formats, from books and brochures to large-scale hoardings and small printed materials. Projects include publications, annual reviews, flyers, business cards, and complex print layouts, with full DTP ownership. Comfortable working with print production details such as die-cuts, finishes, formats, and file preparation, making sure ideas translate cleanly from screen to press.
Logos
A broad selection of logo work across different industries and product types. Comfortable adapting style and level of expression to the context — from bold, character-led marks to quieter, functional identities. The focus is always on fit: aligning the logo with the product, brand, or service it represents, regardless of industry